1 00:00:17,080 --> 00:00:18,680 [Amaia] "The witch of the Crow's Nest 2 00:00:18,760 --> 00:00:22,240 lives hidden in a ruined house in the middle of the woods..." 3 00:00:22,640 --> 00:00:23,760 [Celia] I don't believe it. 4 00:00:23,840 --> 00:00:26,680 If she's hidden it's because she doesn't want anyone to find her. 5 00:00:26,760 --> 00:00:29,640 [Patricia] That's only because people are scared of magic. 6 00:00:29,720 --> 00:00:33,520 And my dad can do the trick where you pull a coin from someone's ear. 7 00:00:33,680 --> 00:00:34,760 That's not magic. 8 00:00:34,840 --> 00:00:37,080 I know, silly. That's just a joke. 9 00:00:37,160 --> 00:00:38,800 [crow caws] 10 00:00:39,680 --> 00:00:42,520 I'm scared, Patricia. We're going back. 11 00:00:42,800 --> 00:00:45,640 How can you be scared of her if you say she doesn't exist? 12 00:00:45,880 --> 00:00:47,920 Come on, Celia, we're close now. 13 00:00:52,320 --> 00:00:54,520 [to herself] I don't care what that scaredy cat says. 14 00:00:54,680 --> 00:00:57,080 I know the witch really does exist. 15 00:01:03,800 --> 00:01:06,760 [Patricia/Amaia] "The only bad thing is sometimes the witch gets sad 16 00:01:06,840 --> 00:01:08,080 then she talks to herself. 17 00:01:08,160 --> 00:01:10,160 [Patricia/Amaia] Well, that's what I thought 18 00:01:10,240 --> 00:01:12,560 [Amaia] until I realised she was talking to a ghost, 19 00:01:12,680 --> 00:01:15,800 the ghost of the girl they killed many years ago, 20 00:01:15,880 --> 00:01:17,880 the girl who gave her the spinning top. 21 00:01:17,960 --> 00:01:20,840 I took the spinning top from her and showed it to Celia, 22 00:01:20,920 --> 00:01:22,400 but she still doesn't believe me." 23 00:01:22,480 --> 00:01:23,920 [knocking] 24 00:01:30,000 --> 00:01:32,240 [Amaia] Can't you sleep either? [Paul] No chance. 25 00:01:34,400 --> 00:01:37,360 We have to work out how to get these to the police. 26 00:01:41,960 --> 00:01:43,960 - Are you still reading that? - Uh-huh. 27 00:01:44,600 --> 00:01:47,520 Your mother knew someone from the Crow's Nest when she studied here, 28 00:01:47,600 --> 00:01:50,920 and she also talked about the ghost of a girl. 29 00:01:51,360 --> 00:01:54,080 The ghost of the spinning top girl and the witch of the woods. 30 00:01:55,680 --> 00:01:58,200 That's a story she told us when we were little. 31 00:02:00,160 --> 00:02:02,920 But, hey, it's just childish nonsense, that's all. 32 00:02:04,080 --> 00:02:05,920 And what was the end of the story? 33 00:02:06,240 --> 00:02:08,240 Pff! I dunno. I don't remember. 34 00:02:08,520 --> 00:02:11,320 But for sure it didn't say anything about how to end all this. 35 00:02:12,280 --> 00:02:14,520 I don't know. What if there's some truth in it? 36 00:02:14,600 --> 00:02:16,960 Yeah. My mother did become a witch. 37 00:02:17,840 --> 00:02:19,040 That's the truth. 38 00:02:22,560 --> 00:02:24,280 [wind howls outside] 39 00:02:27,520 --> 00:02:29,640 [owl hoots outside] 40 00:02:30,600 --> 00:02:32,280 Why do you hate her so much? 41 00:02:35,960 --> 00:02:38,960 [emotional strings music] 42 00:02:53,120 --> 00:02:56,400 [romantic piano and strings music] 43 00:03:21,040 --> 00:03:21,920 All that matters now 44 00:03:22,160 --> 00:03:25,320 is getting the papers to the police and finding Manu. 45 00:03:31,080 --> 00:03:34,280 [Patricia] Even though Celia doesn't believe it, the witch is my friend, 46 00:03:34,360 --> 00:03:36,560 and she tells me about her travels around the world 47 00:03:36,760 --> 00:03:38,000 and the magic she knows 48 00:03:38,320 --> 00:03:41,600 because she has a book of spells: "The Dragonfly Book". 49 00:03:43,840 --> 00:03:46,240 [heart monitor beeps regularly] 50 00:03:58,440 --> 00:04:00,200 [sighs] 51 00:04:03,200 --> 00:04:06,160 [machine whirring] 52 00:04:07,800 --> 00:04:10,800 [electrostatic buzzing] 53 00:04:38,560 --> 00:04:40,440 ROOM 3 54 00:04:49,440 --> 00:04:52,000 [classical theme music] 55 00:05:24,480 --> 00:05:26,400 THE BOARDING SCHOOL: LAS CUMBRES 56 00:05:26,480 --> 00:05:29,360 [girl whispers in Spanish] El Internado Las Cumbres. 57 00:05:30,320 --> 00:05:33,000 [school bell rings] 58 00:05:46,320 --> 00:05:49,080 [music with military style drums] 59 00:06:00,840 --> 00:06:02,480 [crow caws] 60 00:06:07,960 --> 00:06:10,520 [wind howling outside] 61 00:06:11,160 --> 00:06:13,800 [soft romantic piano music] 62 00:06:43,840 --> 00:06:44,840 I escaped from class. 63 00:06:50,520 --> 00:06:51,520 Hello. 64 00:06:53,040 --> 00:06:54,040 Hello. 65 00:07:21,800 --> 00:07:23,160 I know what that is. 66 00:07:25,840 --> 00:07:27,200 The Rune of Death, 67 00:07:29,040 --> 00:07:31,080 the symbol of the Crow's Nest. 68 00:07:31,560 --> 00:07:33,320 I have it too, on my neck. 69 00:07:34,960 --> 00:07:36,680 I know. [sighs] 70 00:07:40,120 --> 00:07:43,000 There are so so many things that you have to tell me. 71 00:07:51,200 --> 00:07:54,080 Wait. Hey, hey... Don't leave like this. 72 00:07:57,920 --> 00:07:59,720 What is it that you don't want to tell me? 73 00:08:04,640 --> 00:08:05,880 Am I a killer? 74 00:08:11,240 --> 00:08:12,680 That's a yes. 75 00:08:17,400 --> 00:08:18,880 You saved my life. 76 00:08:21,680 --> 00:08:24,160 [muffled boom] 77 00:08:24,960 --> 00:08:26,840 [bomb fizzing through the air] 78 00:08:27,560 --> 00:08:29,280 [explosion] 79 00:08:30,240 --> 00:08:31,240 What's wrong? 80 00:08:31,320 --> 00:08:32,560 [aeroplane approaching] 81 00:08:32,640 --> 00:08:33,640 Inés? 82 00:08:34,080 --> 00:08:35,280 Inés, what's wrong? 83 00:08:35,360 --> 00:08:36,840 [bomb hitting building] 84 00:08:36,920 --> 00:08:41,000 [aeroplanes] [bombs fizzing] 85 00:08:42,760 --> 00:08:44,560 [distant boom] 86 00:08:46,040 --> 00:08:49,040 [aeroplane approaching] [explosion] 87 00:08:49,800 --> 00:08:52,800 [loud bang] [falling bricks and breaking glass] 88 00:08:54,200 --> 00:08:57,120 [anti-aircraft guns] [aeroplanes passing low overhead] 89 00:08:57,840 --> 00:09:02,000 [glass shattering] [anti-aircraft guns] 90 00:09:02,600 --> 00:09:05,600 [aeroplanes passing low overhead] 91 00:09:11,960 --> 00:09:13,920 [gasps] 92 00:09:15,520 --> 00:09:17,320 Inés! Inés! 93 00:09:18,120 --> 00:09:19,880 Are you OK? Inés! 94 00:09:22,520 --> 00:09:23,520 Inés! 95 00:09:24,000 --> 00:09:25,000 Inés! 96 00:09:25,320 --> 00:09:27,040 [panting] 97 00:09:27,520 --> 00:09:29,520 [school bell rings] 98 00:09:37,400 --> 00:09:39,840 [classroom chatter] 99 00:09:53,880 --> 00:09:56,800 [sniffling] [heavy door opening] 100 00:10:01,640 --> 00:10:04,920 [Pelayo] Uribe, let's see if you learn your lesson this way. 101 00:10:05,280 --> 00:10:07,800 It's very easy to stray from the right path. 102 00:10:08,480 --> 00:10:09,480 You hear me? 103 00:10:11,400 --> 00:10:12,400 Come on. 104 00:10:15,800 --> 00:10:20,080 [PA] Students taking sports are reminded that the five-minute shower is obligatory. 105 00:10:20,600 --> 00:10:24,960 Personal hygiene is a mark of respect for yourself and those around you. 106 00:10:27,240 --> 00:10:28,240 Adèle. 107 00:10:33,680 --> 00:10:35,120 It was so cold. 108 00:10:36,800 --> 00:10:37,960 It's okay now. 109 00:10:40,440 --> 00:10:42,240 [wind howling outside] 110 00:10:47,080 --> 00:10:48,080 Better? 111 00:10:49,200 --> 00:10:50,520 What did you take, Adèle? 112 00:10:50,960 --> 00:10:53,040 [crows cawing outside] 113 00:10:54,680 --> 00:10:56,000 Is all this because of Mum? 114 00:10:58,080 --> 00:10:59,280 [Pelayo] Celia, 115 00:10:59,360 --> 00:11:01,840 did you pick up the laundry from the dry cleaners? 116 00:11:03,160 --> 00:11:05,280 Yes, of course, I picked it up this morning. 117 00:11:09,720 --> 00:11:12,080 Did you know that Mum was friends with Celia? 118 00:11:14,440 --> 00:11:16,040 The card I gave you was written to her. 119 00:11:17,320 --> 00:11:19,040 She said she was really fun. 120 00:11:24,080 --> 00:11:26,040 Do you remember when we used to dance? 121 00:11:30,520 --> 00:11:32,680 Or how her cakes would never rise? 122 00:11:33,800 --> 00:11:35,600 And she told us to keep it a secret 123 00:11:36,040 --> 00:11:38,240 because it was a disgrace for a scientist. 124 00:11:46,920 --> 00:11:49,080 What she did to Dad and those people. 125 00:11:52,440 --> 00:11:54,400 It's worse than if she was dead. 126 00:12:01,360 --> 00:12:02,360 Listen to me. 127 00:12:04,800 --> 00:12:06,880 I'll do whatever it takes to get us out. 128 00:12:11,720 --> 00:12:13,240 Okay? Whatever. 129 00:12:13,400 --> 00:12:14,760 [sniffles] 130 00:12:18,560 --> 00:12:21,240 [car door closing] [man] Hello, how are you? 131 00:12:23,120 --> 00:12:25,120 My wife Nicole. 132 00:12:28,000 --> 00:12:29,920 [Mara] This way. 133 00:12:32,800 --> 00:12:37,280 [PA] Paul and Adèle Uribe, come to the headteacher's office immediately. 134 00:12:37,600 --> 00:12:39,200 Paul and Adèle Uribe. 135 00:12:39,400 --> 00:12:40,720 [knocking] 136 00:12:41,000 --> 00:12:42,000 Come in. 137 00:12:47,480 --> 00:12:50,040 [man, in French] See? Aren't my niece and nephew lovely? 138 00:12:53,440 --> 00:12:55,440 Since you didn't come to the wedding... 139 00:12:55,920 --> 00:12:59,160 If Mohammed won't go to the mountain, the mountain must go to Mohamed. 140 00:12:59,320 --> 00:13:02,320 This is Nicole, my wife. 141 00:13:03,200 --> 00:13:05,920 [in French] A pleasure. It's so good to meet you. 142 00:13:06,080 --> 00:13:08,440 [both in French] - Nice to meet you. - Congrats, I guess. 143 00:13:09,320 --> 00:13:10,320 [man] You look good. 144 00:13:11,680 --> 00:13:14,440 How you've grown, Adèle. You've become a young woman. 145 00:13:14,880 --> 00:13:15,880 Thank you. 146 00:13:16,480 --> 00:13:17,560 And you're just the same. 147 00:13:19,280 --> 00:13:20,600 Why are you here, Marcel? 148 00:13:22,360 --> 00:13:26,320 My nephew is what you call a free spirit, always so direct. 149 00:13:29,600 --> 00:13:30,920 The truth is that... 150 00:13:31,080 --> 00:13:32,760 [hesitates] May we sit? 151 00:13:32,840 --> 00:13:33,840 Please. 152 00:13:40,600 --> 00:13:42,480 [in French] You're adults now. Hm? 153 00:13:43,480 --> 00:13:46,360 I think it's time for you, Paul, 154 00:13:46,440 --> 00:13:49,200 to become more involved in the family business. 155 00:13:50,280 --> 00:13:52,480 Part of the business belonged to your dad. 156 00:13:53,360 --> 00:13:57,720 Let's just say that for certain transactions I need your cooperation. 157 00:13:59,200 --> 00:14:02,120 [in French] I'll sign what you want, if you get us out of here. 158 00:14:03,640 --> 00:14:06,400 In the middle of term, that wouldn't be wise. 159 00:14:06,560 --> 00:14:08,640 You might have to repeat the year. 160 00:14:09,000 --> 00:14:12,040 [in French] Please, Uncle Marcel, get us out of here. 161 00:14:12,480 --> 00:14:14,800 Please, Adèle, don't be so dramatic. 162 00:14:16,920 --> 00:14:19,760 Last night they punished me by locking me in a dungeon. 163 00:14:21,800 --> 00:14:22,880 Is that true? 164 00:14:22,960 --> 00:14:24,600 [in French] Yes, it's the truth. 165 00:14:24,880 --> 00:14:26,920 It's common practice here. 166 00:14:27,920 --> 00:14:30,680 We're also forced to take cold showers, and-- 167 00:14:30,760 --> 00:14:32,480 Enough! Paul! Paul, enough! 168 00:14:33,960 --> 00:14:35,840 These kids exaggerate everything. 169 00:14:36,240 --> 00:14:37,640 Please, Adèle. A dungeon? 170 00:14:40,000 --> 00:14:43,400 No, it's a place... a place of solitude... 171 00:14:43,560 --> 00:14:44,520 ...of reflection. 172 00:14:48,120 --> 00:14:50,640 Here we value discipline above all else. 173 00:14:51,480 --> 00:14:55,000 It's something that clearly Paul and Adèle need. 174 00:14:55,080 --> 00:14:57,240 No, what we need is to go back home. 175 00:14:59,440 --> 00:15:02,200 [in French] I'm quite sure the boarding school 176 00:15:02,280 --> 00:15:04,440 is the right place for you right now. 177 00:15:04,840 --> 00:15:08,200 [Paul, in French] Seriously? Think it through. 178 00:15:08,920 --> 00:15:12,920 Either you get us out of here, or I won't sign a thing. 179 00:15:14,680 --> 00:15:15,680 Let's go. 180 00:15:15,760 --> 00:15:17,000 [Marcel, in French] Hey... 181 00:15:17,880 --> 00:15:19,640 It's important, Paul. 182 00:15:20,760 --> 00:15:22,560 Take these papers, 183 00:15:23,040 --> 00:15:24,880 and sign them for me, understood? 184 00:15:25,920 --> 00:15:27,200 I'm not asking for a favour. 185 00:15:27,320 --> 00:15:29,320 - Really? - No. 186 00:15:38,720 --> 00:15:40,000 [door slams] 187 00:15:42,320 --> 00:15:46,720 I want you to clean with this, okay? And with this sponge. Yes? 188 00:15:47,280 --> 00:15:48,920 Turn on the hot water. 189 00:15:51,640 --> 00:15:54,120 [pupil 1] Wow! Get in the shower, there's hot water! 190 00:15:54,200 --> 00:15:55,440 Come on! 191 00:15:56,160 --> 00:15:58,600 [pupil 2] I'm coming too. I'm not missing this. 192 00:16:17,880 --> 00:16:18,880 Elvira, 193 00:16:21,120 --> 00:16:23,480 - how is the student? - Fine. 194 00:16:23,560 --> 00:16:26,960 She just came over dizzy, like a drop in blood pressure, 195 00:16:27,440 --> 00:16:29,520 but she's gone back to class now. 196 00:16:29,920 --> 00:16:30,920 You okay? 197 00:16:33,080 --> 00:16:34,080 León, 198 00:16:36,040 --> 00:16:39,200 Inés Mendoza has a tattoo on her neck. 199 00:16:41,080 --> 00:16:42,640 The symbol of the Crow's Nest. 200 00:16:43,320 --> 00:16:44,640 Do you know what that means? 201 00:16:45,400 --> 00:16:46,520 Because I do. 202 00:16:47,360 --> 00:16:48,840 I doubt it's what you're saying. 203 00:16:49,640 --> 00:16:53,080 Elvira, these days kids will get tattoos of anything. 204 00:16:53,240 --> 00:16:55,440 Look, I know perfectly what I saw. 205 00:16:55,720 --> 00:16:57,840 And it makes sense, if you think about it. 206 00:16:57,920 --> 00:17:03,240 No, it doesn't, because you're talking about a student and a medieval lodge. 207 00:17:03,440 --> 00:17:06,080 Let's see... Don Arturo, explained it to me. 208 00:17:07,200 --> 00:17:10,200 The punishment for the Crow's Nest was being forgotten. 209 00:17:10,280 --> 00:17:13,240 What if the cause of Inés's amnesia wasn't the accident? 210 00:17:13,400 --> 00:17:16,840 No, you're the one forgetting that we're in the 21st century. 211 00:17:17,000 --> 00:17:18,560 León, they've used me. 212 00:17:19,040 --> 00:17:22,160 Just like Darío Mendoza is using maleic acid, 213 00:17:22,320 --> 00:17:23,760 and experimenting on students 214 00:17:24,760 --> 00:17:29,040 to help his daughter recover her memory and break the curse of the Crow's Nest. 215 00:17:29,600 --> 00:17:31,840 I know this all sounds very strange, 216 00:17:32,120 --> 00:17:33,160 but I see it so clearly. 217 00:17:34,520 --> 00:17:35,520 The Crow's Nest 218 00:17:36,240 --> 00:17:38,400 is Corax in the 21st century. 219 00:17:38,760 --> 00:17:40,200 Corvus Corax. 220 00:17:40,720 --> 00:17:44,320 Elvira, don't go talking about this around here. 221 00:17:45,000 --> 00:17:46,000 Please. 222 00:17:47,240 --> 00:17:50,640 I've been funded since university by Corax. 223 00:17:52,120 --> 00:17:53,720 I've been so stupid. 224 00:17:54,280 --> 00:17:56,480 But I won't stay even one day longer. 225 00:17:58,280 --> 00:17:59,280 Elvira. 226 00:18:00,760 --> 00:18:01,960 Elvira, please. 227 00:18:02,320 --> 00:18:05,640 [door opening] [footsteps walking away] 228 00:18:08,040 --> 00:18:09,040 [Manu] Ball. 229 00:18:09,200 --> 00:18:11,120 [slide projector clicks] 230 00:18:11,480 --> 00:18:12,480 Bike. 231 00:18:15,120 --> 00:18:16,120 Flower. 232 00:18:20,040 --> 00:18:22,000 Carnival of Venice? 233 00:18:24,200 --> 00:18:26,400 - [chuckles] We've got him. - [Manu] Is that wrong? 234 00:18:27,320 --> 00:18:29,000 Well, then Carnival of Cadiz. 235 00:18:29,080 --> 00:18:30,240 I dunno. 236 00:18:34,760 --> 00:18:37,360 [hissing] 237 00:18:38,200 --> 00:18:41,440 [gulps] 238 00:18:42,240 --> 00:18:43,760 [straining] 239 00:18:48,680 --> 00:18:49,880 [gasps] 240 00:18:54,320 --> 00:18:58,080 [door closing] [footsteps] 241 00:19:44,760 --> 00:19:46,720 [school bell rings] 242 00:19:52,320 --> 00:19:54,840 Inés, did it happen again? 243 00:19:56,920 --> 00:19:58,320 Worse every time. 244 00:20:00,600 --> 00:20:02,520 The walls were coming down on me. 245 00:20:02,960 --> 00:20:05,720 You can keep talking. Don't worry. 246 00:20:11,960 --> 00:20:13,520 But why us? 247 00:20:14,600 --> 00:20:15,760 I don't know. 248 00:20:28,720 --> 00:20:30,000 Okay. 249 00:20:31,480 --> 00:20:32,960 I see a girl. 250 00:20:33,040 --> 00:20:34,520 A girl who is dead. 251 00:20:35,440 --> 00:20:36,960 Inés sees her too. 252 00:20:38,760 --> 00:20:40,120 Come on, Amaia. 253 00:20:40,680 --> 00:20:42,600 If you see her, it's because she's alive. 254 00:20:42,680 --> 00:20:45,800 Er no, because she has a broken neck and ripped-out eyes. 255 00:20:48,240 --> 00:20:49,480 [laughs] 256 00:20:49,560 --> 00:20:50,720 Okay, I'm done with you. 257 00:20:50,800 --> 00:20:53,000 - No, Amaia, I'm sorry. - What? 258 00:20:54,240 --> 00:20:55,400 Are you serious? 259 00:21:00,360 --> 00:21:03,960 If you're seeing spirits or ghosts or whatever you see, 260 00:21:04,680 --> 00:21:07,760 maybe it's because they have unfinished business here. 261 00:21:09,280 --> 00:21:10,880 What does that mean? 262 00:21:11,920 --> 00:21:13,160 Um... 263 00:21:30,280 --> 00:21:33,960 [Pelayo] I would have left them without breaks or hot water for another month. 264 00:21:34,480 --> 00:21:35,920 Well... [sighs] 265 00:21:36,240 --> 00:21:38,160 ...we'll see how they behave now. 266 00:21:38,920 --> 00:21:42,000 [Léon] I get the impression that you two really enjoy all this. 267 00:21:42,680 --> 00:21:44,000 [knocking] 268 00:21:46,440 --> 00:21:47,960 Can I talk to you, sir? 269 00:21:49,280 --> 00:21:51,480 It's about the work for Wednesday. 270 00:21:52,800 --> 00:21:54,400 Of course, one second. 271 00:22:08,640 --> 00:22:11,160 [whispering] How are you? I was so worried. 272 00:22:11,480 --> 00:22:13,280 Bad. I can't handle this. 273 00:22:18,760 --> 00:22:20,120 Don't worry. 274 00:22:20,640 --> 00:22:23,920 "Don't worry" is all I've heard since I woke up from the coma. 275 00:22:25,240 --> 00:22:27,840 But I have dreams, or memories or visions, 276 00:22:27,920 --> 00:22:31,000 I don't know what they are, I don't understand why they come to me. 277 00:22:32,960 --> 00:22:34,920 I know Darío isn't my father. 278 00:22:35,480 --> 00:22:37,600 I don't even know what my name is. 279 00:22:40,920 --> 00:22:42,320 Tell me who I am 280 00:22:42,920 --> 00:22:44,960 and why they're lying to me. 281 00:22:47,880 --> 00:22:51,320 [inhales] If what we had was so strong and so real, then... 282 00:22:52,120 --> 00:22:53,560 ...have faith in me. 283 00:22:55,240 --> 00:22:57,320 How could I not trust you? 284 00:23:03,360 --> 00:23:05,520 Come to my room when you're free. 285 00:23:08,040 --> 00:23:10,960 [emotional piano and strings] 286 00:23:29,160 --> 00:23:32,720 [Amaia] "I know Celia isn't going to believe it, but I saw the ghost today. 287 00:23:33,160 --> 00:23:35,200 I opened the hiding place in the witch's house 288 00:23:35,280 --> 00:23:37,200 by pressing the eyes of the magic lion..." 289 00:23:37,680 --> 00:23:41,000 [Paul] Seriously? We're talking ghosts and magic lions? 290 00:23:41,400 --> 00:23:45,360 Amaia, we should be working out how to get the Corax reports to the police. 291 00:23:46,800 --> 00:23:50,200 Because this won't be any use for us getting out of here or helping Manu. 292 00:23:51,800 --> 00:23:56,000 "...and there I found the definitive proof that the ghost existed 293 00:23:56,320 --> 00:23:57,840 and that the witch is a witch. 294 00:23:58,120 --> 00:24:00,920 But because I escape to the woods every day to be with her, 295 00:24:01,000 --> 00:24:02,360 they're going to expel me." 296 00:24:02,440 --> 00:24:05,360 [Eric] Hey, Paul! Your mum escaped from the school before you did. 297 00:24:06,200 --> 00:24:07,120 [Paz] Keep going. 298 00:24:07,800 --> 00:24:08,960 This is the craziest bit. 299 00:24:09,480 --> 00:24:12,320 "The headteacher took some things, but the definitive proof, 300 00:24:12,680 --> 00:24:14,880 which will stop Celia calling me a liar, 301 00:24:15,040 --> 00:24:18,520 I hid in his office, under his nose." It's in the office. 302 00:24:18,760 --> 00:24:21,840 Does she mean Mara? But like 40 years ago? 303 00:24:22,000 --> 00:24:24,440 No, at that time the headteacher was Don Arturo, 304 00:24:24,600 --> 00:24:26,160 and his office is in the monastery. 305 00:24:27,920 --> 00:24:29,760 Right, I'll see you later. 306 00:24:39,160 --> 00:24:40,280 Celia. 307 00:24:43,200 --> 00:24:46,080 - Yes? - OK, we've finished the windows. 308 00:24:46,640 --> 00:24:48,600 Very good. Sweep the floor. 309 00:24:59,920 --> 00:25:01,280 [grunts] 310 00:25:01,440 --> 00:25:03,480 ROOM 3 311 00:25:09,440 --> 00:25:11,720 [grunting] [panting] 312 00:25:15,640 --> 00:25:17,400 FRENCH - SPANISH DICTIONARY 313 00:25:24,760 --> 00:25:26,280 So, my uncle thinks I'm an idiot. 314 00:25:29,160 --> 00:25:31,760 He says he wants me to take part in family the business, 315 00:25:31,840 --> 00:25:33,560 but all he wants is my inheritance. 316 00:25:33,640 --> 00:25:35,560 What a dick. Don't sign anything. 317 00:25:36,960 --> 00:25:38,880 When we get out, we'll blow your inheritance. 318 00:25:39,680 --> 00:25:43,240 We have to get the Corax reports out now and take them to the police. 319 00:25:43,680 --> 00:25:45,200 [Eric whispering] It's ridiculous 320 00:25:45,280 --> 00:25:48,240 that we have reports that say we're the lab rats of a psychopath, 321 00:25:48,400 --> 00:25:50,040 and we're doing nothing about it. 322 00:25:55,160 --> 00:25:56,760 [in French] How are you, Paul? 323 00:25:58,320 --> 00:25:59,680 I thought about what you said. 324 00:25:59,960 --> 00:26:01,480 And... 325 00:26:02,040 --> 00:26:03,520 And why not? 326 00:26:03,600 --> 00:26:07,400 We can think about some other schools. Hm? 327 00:26:07,560 --> 00:26:08,840 For next year. 328 00:26:09,720 --> 00:26:11,040 What do you think? 329 00:26:14,560 --> 00:26:16,400 Sign the documents, 330 00:26:16,680 --> 00:26:19,720 and this evening I'll take you out for dinner, 331 00:26:19,960 --> 00:26:21,760 to celebrate. 332 00:26:23,200 --> 00:26:24,280 What time? 333 00:26:25,560 --> 00:26:26,720 Eight o'clock? 334 00:26:34,640 --> 00:26:35,640 Paul! 335 00:26:45,440 --> 00:26:47,600 Great, thank you. Hm? 336 00:26:49,200 --> 00:26:50,440 See you later. 337 00:26:54,600 --> 00:26:55,960 What are you doing? 338 00:26:56,240 --> 00:26:59,640 Tonight I'll get the Corex reports out and give them to the police. 339 00:27:12,480 --> 00:27:15,680 Guys, I think I now know how to sneak into the monastery. 340 00:27:19,720 --> 00:27:21,080 What's happened? 341 00:27:26,000 --> 00:27:27,000 Paul. 342 00:27:30,320 --> 00:27:32,680 - What? - You're such an idiot. 343 00:27:33,440 --> 00:27:34,520 Yeah. 344 00:27:37,560 --> 00:27:41,160 Manu would also think you're a moron, for what you've just done. 345 00:27:42,080 --> 00:27:44,600 And the more I know you, the stupider you seem. 346 00:27:45,560 --> 00:27:47,600 Well, I'm finding the same with you. 347 00:27:49,600 --> 00:27:52,520 But for a long time now, since the first day I saw you. 348 00:27:54,680 --> 00:27:57,040 I thought you were an idiot as well. 349 00:27:58,400 --> 00:28:01,040 [romantic piano music] 350 00:28:15,560 --> 00:28:18,400 When Manu comes back, I'll get out of your way. 351 00:28:21,680 --> 00:28:22,680 Perfect. 352 00:28:27,120 --> 00:28:29,160 Look out, your brother's coming. 353 00:28:31,760 --> 00:28:33,640 Can I talk to you for a moment? 354 00:28:35,080 --> 00:28:36,960 - Bea, right? - Eva. 355 00:28:37,840 --> 00:28:39,760 You've your book upside-down. 356 00:28:39,840 --> 00:28:41,240 [chuckles] 357 00:28:41,320 --> 00:28:43,040 Loser. 358 00:28:43,560 --> 00:28:44,720 Adèle... 359 00:28:55,520 --> 00:28:57,360 [yells] 360 00:29:30,080 --> 00:29:32,800 [distant piano playing] 361 00:30:01,800 --> 00:30:02,960 I have... 362 00:30:04,800 --> 00:30:06,520 ...the feeling... 363 00:30:07,040 --> 00:30:08,960 Maybe I'm wrong. 364 00:30:09,120 --> 00:30:10,960 Maybe not. 365 00:30:11,960 --> 00:30:14,920 But something is happening between Inés and you. 366 00:30:15,800 --> 00:30:16,960 Hm. 367 00:30:17,240 --> 00:30:18,280 I say this in case 368 00:30:18,440 --> 00:30:22,280 you've forgotten that there is a red line 369 00:30:22,360 --> 00:30:25,040 that you cannot cross with her. 370 00:30:26,280 --> 00:30:28,200 She's not even called Inés. 371 00:30:29,880 --> 00:30:33,000 Inés was your daughter and she is dead. 372 00:30:34,080 --> 00:30:36,840 And whatever you do, she'll still be dead. 373 00:30:38,360 --> 00:30:40,640 What will you do when she finds out the truth? 374 00:30:42,280 --> 00:30:43,560 What truth? 375 00:30:44,120 --> 00:30:46,600 What you're doing to the students at this school. 376 00:30:47,640 --> 00:30:50,240 You're spending too much time with Elvira. 377 00:30:51,600 --> 00:30:54,680 - Elvira isn't stupid, Darío. - Nor are you and I. 378 00:30:56,760 --> 00:30:58,200 Stay away from Inés. 379 00:30:59,280 --> 00:31:01,640 If I were you, I'd also stay away from Elvira. 380 00:31:02,960 --> 00:31:05,360 I don't think she'll be around much longer. 381 00:31:06,280 --> 00:31:07,240 [Léon] Hm. 382 00:31:07,840 --> 00:31:08,800 [Darío] Hm. 383 00:31:09,120 --> 00:31:11,040 You know what, León? 384 00:31:13,000 --> 00:31:14,240 Everything... 385 00:31:15,240 --> 00:31:17,360 [piano strings reverberate] 386 00:31:18,000 --> 00:31:20,000 ...everything has consequences. 387 00:31:23,080 --> 00:31:24,080 Darío! 388 00:31:28,120 --> 00:31:29,680 Don't forget who I am. 389 00:31:37,200 --> 00:31:39,760 [PA system] Students are reminded that study period 390 00:31:39,920 --> 00:31:42,640 is necessary for revision and learning. 391 00:32:01,240 --> 00:32:02,440 Elvira? 392 00:32:05,680 --> 00:32:06,680 León? 393 00:32:49,480 --> 00:32:51,120 [Léon outside] Luís, can you let me in? 394 00:32:54,520 --> 00:32:57,960 [mournful piano music] 395 00:33:07,280 --> 00:33:08,280 Inés. 396 00:33:09,640 --> 00:33:11,080 Hey, my love. 397 00:33:13,480 --> 00:33:14,680 What's wrong? 398 00:33:15,920 --> 00:33:17,080 Are you okay? 399 00:33:23,920 --> 00:33:27,520 [piano music building tension] 400 00:34:07,440 --> 00:34:09,840 Did you know the fourth leaf is a recessive gene? 401 00:34:10,600 --> 00:34:12,400 I thought something had happened to you. 402 00:34:13,960 --> 00:34:15,880 Are you sure you want to leave? 403 00:34:16,600 --> 00:34:18,680 You can't leave all this unfinished. 404 00:34:21,200 --> 00:34:23,160 León, I don't want anything to do with them. 405 00:34:24,640 --> 00:34:26,360 I owe it to Elías. 406 00:34:28,760 --> 00:34:29,800 I know. 407 00:34:31,160 --> 00:34:33,880 But sometimes you have to change things from within. 408 00:34:35,120 --> 00:34:36,120 Yeah. 409 00:34:36,600 --> 00:34:40,760 But those people have a lot of money, a lot of power and few scruples. 410 00:34:41,240 --> 00:34:43,840 Tell me, what can you and I do alone against them? 411 00:34:44,760 --> 00:34:46,720 There's something I haven't told you. 412 00:34:48,360 --> 00:34:49,520 I was born in this valley. 413 00:34:50,360 --> 00:34:51,840 I didn't live here for many years, 414 00:34:53,400 --> 00:34:56,040 but when I was little, the women would tell stories. 415 00:34:58,520 --> 00:34:59,520 In this valley, 416 00:34:59,600 --> 00:35:02,720 fantastic things happen for a scientist like you. 417 00:35:03,360 --> 00:35:07,760 Remember when you told me about the Crow's Nest and the Draco Musca? 418 00:35:10,120 --> 00:35:12,680 I've found something that changes everything. 419 00:35:14,040 --> 00:35:15,200 Stay here. 420 00:35:15,600 --> 00:35:17,080 [bus air brakes hiss] 421 00:35:17,240 --> 00:35:18,440 Please. 422 00:35:20,080 --> 00:35:21,920 [bus engine idling] 423 00:35:22,520 --> 00:35:24,360 [bus doors closing] 424 00:35:32,080 --> 00:35:35,800 [mournful piano music] 425 00:36:11,000 --> 00:36:13,280 [crows cawing] 426 00:36:13,800 --> 00:36:16,240 MAN IS BORN FREE, RESPONSIBLE AND WITHOUT EXCUSES 427 00:36:53,760 --> 00:36:57,320 [thumping drum music] 428 00:37:10,600 --> 00:37:12,760 [bell tolls] 429 00:37:15,480 --> 00:37:17,120 He's really late. 430 00:37:25,360 --> 00:37:28,200 Hey, where are the Corax reports? 431 00:37:33,160 --> 00:37:36,360 You know, I don't even remember what it's like to be in restaurants. 432 00:37:37,840 --> 00:37:39,840 So long as there's a telephone. 433 00:37:42,480 --> 00:37:45,880 Let's see, so I'll entertain them while you go to the loo? 434 00:37:46,600 --> 00:37:48,600 And I'll hide the reports in the toilet 435 00:37:48,800 --> 00:37:51,240 then call the police and tell them where they are. 436 00:37:51,480 --> 00:37:54,160 [gates opening] And if they don't listen to us? 437 00:37:54,640 --> 00:37:56,040 They'll listen to me. 438 00:38:10,240 --> 00:38:12,280 Did you really think I'd stood you up? 439 00:38:21,000 --> 00:38:23,520 [keypad beeps and door buzzes] 440 00:38:29,880 --> 00:38:30,880 Paul! 441 00:38:38,440 --> 00:38:40,280 I don't want you out of my life. 442 00:38:42,440 --> 00:38:43,960 Not now, not ever. 443 00:38:49,160 --> 00:38:50,240 Amaia Torres, 444 00:38:50,320 --> 00:38:52,280 you can't be here, get inside. 445 00:39:05,520 --> 00:39:06,960 Quickly, make a wish. 446 00:39:07,800 --> 00:39:09,640 Get straight back to Paris. 447 00:39:09,720 --> 00:39:12,680 [laughs] But not out loud, otherwise it won't come true. 448 00:39:36,880 --> 00:39:39,440 [Darío] Well, Well, Well. 449 00:39:40,320 --> 00:39:43,120 - Welcome to my home, mon ami. - [in French] Bonsoir. 450 00:39:43,200 --> 00:39:45,120 - [Darío laughs] Comment ça va? - Très bien, merci. 451 00:39:45,200 --> 00:39:48,720 I imagine you know Darío Mendoza, the one and only. 452 00:39:50,840 --> 00:39:52,640 Come in, guys. Come on. 453 00:39:54,760 --> 00:39:56,520 OK, great. 454 00:39:58,840 --> 00:40:01,080 Come in, please, come in. 455 00:40:06,120 --> 00:40:09,080 [crow cawing] 456 00:40:40,760 --> 00:40:42,800 [Amaia] This is Don Arturo's office. 457 00:40:43,000 --> 00:40:44,560 Come on, let's go. 458 00:40:59,400 --> 00:41:02,600 Okay, so now do we just get the Ouija board out? 459 00:41:04,440 --> 00:41:07,280 How about we take this moment 460 00:41:07,600 --> 00:41:09,760 to make a toast? Hm? 461 00:41:10,280 --> 00:41:13,920 To this new partnership between your laboratory... 462 00:41:14,720 --> 00:41:16,040 ...and Corax. 463 00:41:17,280 --> 00:41:19,640 A toast also to our host... 464 00:41:19,720 --> 00:41:21,920 ...for welcoming us... 465 00:41:22,080 --> 00:41:24,160 - ...into your home. - Very good. 466 00:41:24,720 --> 00:41:27,720 I've just handed over our inheritance to a psychopath. 467 00:41:27,880 --> 00:41:29,520 [in French] Why don't you take your coats off 468 00:41:29,600 --> 00:41:30,720 and eat something? 469 00:41:30,800 --> 00:41:32,600 The food is delicious. 470 00:41:34,360 --> 00:41:35,360 A bit of everything. 471 00:41:35,840 --> 00:41:38,200 - Go ahead, these are very good. - They're good? 472 00:41:38,280 --> 00:41:39,920 This is really tasty. 473 00:41:46,320 --> 00:41:48,080 These are delicious... 474 00:41:48,160 --> 00:41:49,280 Paul, what do we do? 475 00:41:49,440 --> 00:41:50,640 [Darío] It's goat's cheese. 476 00:41:50,800 --> 00:41:53,560 - There must be a phone around here. - Yeah. 477 00:41:54,960 --> 00:41:56,960 What if he has Manu here? 478 00:41:58,880 --> 00:42:01,080 And what if Room 3 is here? 479 00:42:01,360 --> 00:42:04,360 Yes, I'll show you around the house in a bit. 480 00:42:05,080 --> 00:42:06,200 Darling Inés... 481 00:42:06,800 --> 00:42:10,520 What are you doing up? You should be resting in your room. 482 00:42:10,720 --> 00:42:13,400 [Inés] And miss the party? No way! 483 00:42:13,800 --> 00:42:15,240 I'm much better now. 484 00:42:16,360 --> 00:42:19,560 - [Nicole] Bonsoir. - [Darío] A beauty, as you say. 485 00:42:19,640 --> 00:42:20,640 [Nicole] Enchantée. 486 00:42:36,760 --> 00:42:38,160 [coughs] 487 00:42:39,280 --> 00:42:40,480 Bloody hell! 488 00:42:40,560 --> 00:42:43,640 My mother used to bollock me for not cleaning behind the furniture. 489 00:42:44,200 --> 00:42:46,320 But Amaia, what are we looking for exactly? 490 00:42:48,160 --> 00:42:51,280 - There has to be something here. - I don't know where else to look. 491 00:42:52,000 --> 00:42:55,480 It's not a flying feather duster. There's nothing here, let's go. 492 00:42:56,240 --> 00:42:59,640 - Or a potion that turns us into frogs! - Shit! You scared me. 493 00:43:01,120 --> 00:43:02,840 Hey, can we hurry this up? 494 00:43:06,840 --> 00:43:09,320 I'm imagining that girl in front of me. 495 00:43:10,920 --> 00:43:13,640 Frightened because they were going to expel her, 496 00:43:16,440 --> 00:43:19,440 thinking quickly of where to hide her treasure... 497 00:43:21,720 --> 00:43:23,960 ...before Don Arturo came back. 498 00:43:33,760 --> 00:43:36,920 [young Patricia] What are you doing? They'll catch us! Turn it off. 499 00:43:39,720 --> 00:43:40,840 Julio. 500 00:43:41,480 --> 00:43:42,760 Here... 501 00:43:47,600 --> 00:43:48,680 [Paz] Careful, Amaia. 502 00:43:49,160 --> 00:43:50,640 [Eric] Amaia, what are you doing? 503 00:43:54,840 --> 00:43:56,440 Exactly! 504 00:43:57,480 --> 00:43:59,280 Right under his nose! 505 00:43:59,720 --> 00:44:02,800 - [Julio] What is it? - [Paz] My grandparents have these. 506 00:44:02,880 --> 00:44:06,680 - A tin? - No, it's a reel, something like that. 507 00:44:07,680 --> 00:44:09,600 I think I know where to watch it. [bell tolls] 508 00:44:11,360 --> 00:44:13,480 [bell tolls throughout scene] 509 00:44:47,640 --> 00:44:49,680 Shit. I think I know where we are. 510 00:44:52,160 --> 00:44:53,280 Where? 511 00:45:00,280 --> 00:45:02,600 [Darío] The progress is significant. 512 00:45:04,120 --> 00:45:06,280 And music is key. 513 00:45:07,840 --> 00:45:10,920 It has allowed us to delve much deeper... 514 00:45:11,000 --> 00:45:12,920 What if we ask Inés for help? 515 00:45:14,840 --> 00:45:15,920 Inés? 516 00:45:16,560 --> 00:45:18,680 - It's her house. - No. 517 00:45:19,400 --> 00:45:21,320 Look at her, she's in her element. 518 00:45:24,160 --> 00:45:25,160 Yeah. 519 00:45:30,640 --> 00:45:32,120 [coughs] Excuse me. 520 00:45:33,240 --> 00:45:34,600 The toilet? 521 00:45:35,400 --> 00:45:37,040 There. That door. 522 00:45:46,720 --> 00:45:47,840 What happened? 523 00:45:52,640 --> 00:45:54,320 [gasp] [thud] [Darío] Hey, hey... 524 00:45:58,000 --> 00:45:59,360 Are you OK? 525 00:45:59,840 --> 00:46:01,680 - Yes. - What's that? 526 00:46:02,480 --> 00:46:04,360 Give it. Give it to me. 527 00:46:06,240 --> 00:46:08,320 How odd. What's this doing here? 528 00:46:08,840 --> 00:46:11,040 It should be somewhere else. 529 00:46:15,480 --> 00:46:19,520 I thought I had given them to Fran. Where is my head? 530 00:46:23,840 --> 00:46:25,680 There we go. Are you okay? 531 00:46:25,840 --> 00:46:27,960 - Yes, thank you. - I'm glad. 532 00:46:33,560 --> 00:46:34,960 [door opens] 533 00:46:41,520 --> 00:46:43,960 [footsteps approaching] 534 00:46:50,360 --> 00:46:51,600 What are you doing here? 535 00:46:52,480 --> 00:46:54,600 I'm on your side, I already told you. 536 00:46:55,520 --> 00:46:57,440 Go upstairs and leave me alone. 537 00:46:58,160 --> 00:46:59,440 What were you looking for? 538 00:46:59,520 --> 00:47:03,040 Have you heard of Room 3? The room where your father keeps Manu. 539 00:47:03,200 --> 00:47:05,920 He's not my father. And how could he be keeping him here? 540 00:47:06,000 --> 00:47:08,040 [thud] 541 00:47:11,120 --> 00:47:12,400 Aargh! 542 00:47:21,280 --> 00:47:23,840 [grunts] 543 00:47:31,480 --> 00:47:32,680 [Paul] Shit. 544 00:47:34,840 --> 00:47:36,080 There's nothing here. 545 00:47:41,240 --> 00:47:42,240 Paul! 546 00:47:43,320 --> 00:47:45,600 The magic lion, like your mother said. 547 00:47:47,920 --> 00:47:49,760 Will you do it, or should I? 548 00:47:59,280 --> 00:48:00,640 [lock opening] 549 00:48:00,720 --> 00:48:02,280 [door mechanism] 550 00:48:07,600 --> 00:48:09,920 [groans and coughs] 551 00:48:19,680 --> 00:48:22,240 [Paul] Sure it's this way? [Inés] Yes, this way. 552 00:48:23,560 --> 00:48:25,600 [Manu] Hey! Hey! 553 00:48:25,680 --> 00:48:28,080 Hey! Hey, guys, up here! 554 00:48:29,120 --> 00:48:30,360 Amaia! 555 00:48:30,600 --> 00:48:31,680 Amaia! 556 00:48:32,040 --> 00:48:33,080 Amaia! 557 00:48:33,520 --> 00:48:36,040 Amaia! [sobs] 558 00:48:36,520 --> 00:48:37,920 Amaia... 559 00:49:01,800 --> 00:49:05,440 Students are reminded that bed time is in five minutes. 560 00:49:07,320 --> 00:49:10,640 Lights will be turned off in five minutes. 561 00:49:24,720 --> 00:49:27,600 OK, it's in the store room. Come on, come on. 562 00:49:38,400 --> 00:49:40,360 [rain and water dripping] 563 00:50:00,080 --> 00:50:03,440 It spent more than 400 years buried in a tomb. 564 00:50:06,400 --> 00:50:08,120 [Elvira] Draco Musca. 565 00:50:09,320 --> 00:50:11,080 But how is this possible? 566 00:50:11,560 --> 00:50:13,480 León, it wasn't a metaphor. 567 00:50:14,840 --> 00:50:16,960 They managed to stop time. 568 00:50:17,560 --> 00:50:19,560 [film projector whirs] 569 00:50:19,920 --> 00:50:21,960 [Paz] It's the sanatorium! We were just there. 570 00:50:22,120 --> 00:50:23,640 1936. 571 00:50:23,720 --> 00:50:25,440 It's during the Civil War. 572 00:50:27,600 --> 00:50:28,760 [bang] 573 00:50:31,600 --> 00:50:32,880 [Paz] And that? 574 00:50:35,680 --> 00:50:37,800 It's the girl who was killed. 575 00:50:39,200 --> 00:50:41,960 The girl Paul's mum talks about in her diary. 576 00:50:47,080 --> 00:50:48,520 [Inés] What is this? 577 00:50:52,080 --> 00:50:54,720 The place where my mother said the witch used to hide. 578 00:50:58,000 --> 00:50:59,000 Paul, 579 00:50:59,960 --> 00:51:01,840 Paul, the light. Bring the light! 580 00:51:11,800 --> 00:51:12,800 Is that you? 581 00:51:15,520 --> 00:51:17,520 With León? You knew each other? 582 00:51:28,720 --> 00:51:30,360 But it says "Alicia Bernal". 583 00:51:34,160 --> 00:51:35,680 [Inés] "1960". 584 00:51:38,360 --> 00:51:41,000 [Paul] This doesn't make sense. [Inés] I don't understand. 585 00:51:55,920 --> 00:51:57,480 It's Inés. 586 00:51:57,880 --> 00:51:59,760 [Amaia] Inés in 1936. 587 00:52:04,200 --> 00:52:06,760 [Inés] Leave that. You have to rest. 588 00:52:08,280 --> 00:52:09,840 You film me. 589 00:52:21,600 --> 00:52:23,480 I want you to remember me when I'm gone. 590 00:52:30,000 --> 00:52:31,600 You're not going anywhere. 591 00:52:32,800 --> 00:52:34,880 We're going to be together forever. 592 00:52:35,600 --> 00:52:38,200 Even if I have to sell my soul to the devil. 593 00:52:39,640 --> 00:52:41,600 Together forever. 594 00:52:43,920 --> 00:52:45,360 Every day. 595 00:52:50,440 --> 00:52:53,240 [dramatic music rises to a climax] 596 00:53:01,920 --> 00:53:05,920 ♪ ["Corre" by Natalia Lacunza] 597 00:55:37,080 --> 00:55:40,760 Subtitling: DUBBING BROTHERS